Script Spotlight
Baggage Claim
TV Pilot | Dark Comedy | 35 Pages
A grieving divorce attorney joins a wedding disruptor to stop doomed marriages before they start — and loses everything in the process.
"A smart premise that does two vital things at once — it complicates the life of the protagonist while also generating weekly stories." — blcklst.com
“The show is unique, interesting, and memorable. It feels at once grounded and heightened; there are elements that are slightly magical, but the core human emotions are very visceral.” — blcklst.com
Features, Pilots, Plays
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![A Diné Mormon Missionary looking down]()
The Weight of Dust
Feature | Historical Drama | 104 pages
A Diné missionary returns home for his foster mother's funeral and must finally accept the truth behind his bishop's violence, before it claims the younger brother he left behind.
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![Red and blue police emergency lights flashing at night]()
American Fork
TV Pilot | Drama | In Progress
A detective quietly drinking himself out of his career takes on a hate group in small-town Utah, only to find his estranged son rising through its ranks.
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![Group of Women all holding hands in a circle]()
Trust Issues
TV Pilot | Dark Comedy | 35 pages
Given seven weeks to save her grandmother's house from foreclosure, a disgraced ex-cop infiltrates a community grief group and recruits the ten-year-old half-sister she barely knows to help con a wealthy widow, only to find the real work is letting the family she's spent her life avoiding finally pull her in.
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![Funeral Setting with Flowers]()
A Wake With Wonder
Stage Play | Drama / Magical Realism | 78 pages | 3M, 3W
Trapped at his own wake, a literature professor must defend a life lived through other people's words — to the wife he failed to reach, the daughter he overlooked, and the son he couldn't save.
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![Cold Clinical Operating Room]()
Agency
Stage Play | Drama | 3W, 1M | In Progress
On the eve of her third consciousness transfer, a dying behavioral scientist steps outside of protocol to meet the eighteen-year-old vessel chosen to carry her forward, but the encounter shatters everything the scientist believed about the procedure and the society that built it.
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About
I was born in Utah, where diversity meant the cut of beef, and raised in New York City, where a full night's sleep was a sign of wealth. There were seven of us in an apartment built for far fewer. Money was tight. Space was tighter. Privacy was theoretical. Stability wasn't inherited. It was assembled.
I trained at the High School of Performing Arts, The Theatre School at DePaul, and Northwestern's School of Communication. I studied story the way an architect studies load-bearing walls: what holds, what buckles, where the weight actually sits.
Before writing, I spent fifteen years as a union actor in theatre, film, and television, and as a drummer in live productions. I learned where a line lands, what it costs to say it, and when silence does more than dialogue.
I write character-driven dramas and dark comedies about people caught inside systems that demand something from them. Families. Institutions. Belief structures. And what happens when those systems stop holding. My characters act. They choose. And they live with the consequences.
I'm drawn to the moment someone realizes the life they've been living isn't entirely theirs, and what it takes to claim something else.
